Friday, January 29, 2010
music
this lesson we have gone through the music and started to edit it. We have chosen two uncopyrighted pieces and edited them together to create the piece we want to use within our opening. We have tried to create atmosphere within the music and have done this by using a range of different tempos and volumes at different times within the piece.
Thursday, January 28, 2010
Music Video
We have found some uncopyrighted music from HTTP://incopmetech.com/m/c/royalty-free/horror.
We have listened to them all and found that there were only parts of two that we could use. we will use garage band to edit the music so we can make it fit the film.
Lesson plan !
This lesson we have planned when we will be filming our thriller opening,
We will begin filming on Sunday the 31st at the road location , On the following tuesday we will be filming the shed scene.If we haven't got all of the filming done by then we can use the following sunday for extra filming time . After we have completed filming we will up load the footage to the computer and do some simple editing to see if we have all the footage we need , if not then we can use the following week to film some more .
Tuesday, January 26, 2010
Sunday, January 24, 2010
Casting
These are the three people that we looked at to play the main part in our opening of a thriller. Each has different qualitys that we liked and needed, but in the end we could only pick one.
Jeannie.... Female 16 and has acting experience behind her. She has proven to be a good actress with good GCSE grade to back her up.
Olivia... Female 17 and she also has good acting experience behind her with good GCSE results.
Matt... Male, 17 has limited acting experience.
After looking at all 3, we desided what a female would best fit the role we wanted to fill, as it is normally a women that gets caught and is more vunrable than a man, you also feel more for a women, as they have less of a physical presence. So this ruled Matt out.
After talking about the two remaining girls, we desided to go for Jeannie. Olivia fitted the part perfectl but we felt that jeannie looked more innocent due to her small physical presence. (not saying Olivia looks manly :P) Jeannie had more of the qualitys that we needed.
Saturday, January 23, 2010
X3 50 word thrillers
Set in a new apartment, which has been known to have been ‘haunted’ as there is a sprit which has driven the past owner to insanity. A new couple move in unknowing of the spirit. Its changes one of the couple every night until it kills the other, in a hide and seek scenario.
Set on a plane, one of the cabin crew gets locked in the baggage area. Lights turn of f .Someone else down there, strange noises. Gets trapped. Lots of jump cuts, p.o.v from the *creature* crescendo music . Audience think that he has got away but gets caught by the creature.
Lady is in a car crash. Kills the other driver. She then gets haunted by a ghost of the driver .know one believes her, she gets put in to an asylum. is constantly terrified by the ghost until it gets its revenge . When she finally gets out she thinks it has gone until it gets revenge.
Set on a plane, one of the cabin crew gets locked in the baggage area. Lights turn of f .Someone else down there, strange noises. Gets trapped. Lots of jump cuts, p.o.v from the *creature* crescendo music . Audience think that he has got away but gets caught by the creature.
Lady is in a car crash. Kills the other driver. She then gets haunted by a ghost of the driver .know one believes her, she gets put in to an asylum. is constantly terrified by the ghost until it gets its revenge . When she finally gets out she thinks it has gone until it gets revenge.
Costume and make up
The costume will be normal, casual wear . I have researched in to what i think will be appropriate for our thriller opening .
The photos all show simple plain make up which doesn't over emphasis the actor/actresses face. The costumes in the pictures are simple casual wear, in our thriller we will take the same idea by having normal costume which wont be to extravagant and can relate to the audiences clothing which will make the whole thriller more believable . ( the pictures are all from thriller films . Taken , gothika, disturbia and flight plan )
Friday, January 22, 2010
Road locations !
This is a possible road location for the car scene . its not a busy rod and is out side my house and s has easy access . It would be the perfect location as it looks as though it is in a deserted location. For safety in this location we can make some temporary signs , or have some one o look out for other cars . As its a fairly straight road it shouldn't be to much of a hazard .
Convention
Most thrillers are based on the same idea and they normally all use the same effect and camera skills to create the same effect.
They all seem to use the idea that someone is being watch and that no one is safe, this creeps up the audience as they too don't normally know what is doing the watching a following so it makes us think that if the person who is being followed and watched does not know neither could we.
The create the effect of someone being followed by using hand-held cameras to show it from the stalkers point of view, they also use back tracking and tracking to show that someone may be following just behind.
I have noticed that they use girls that are alone, due to a female normally having a smaller and less imposing physical presence and could easily intimidated they are used, and them being alone makes them seem vulnerable.
Although in some thrillers you never really find out what is causing the trouble and who is the one doing the stalking until there very end, this helps build suspense and keeps us hooked and engaged throughout the whole film and it keeps us wanting to find out, in a way it involves the audience as we start to think about who it could be and why. In some of the films you see from the antagonist point of view even when you don't know who it is, like in se7en you see what he is doing at the beginning buy you do not see his face and that entices you, it shows your that people that you think are normal from what you see can be weird and twisted when they are left alone.
Thrillers also involve the battle of justice vs. injustice where often there is a price to be paid for the conclusion of the story.
Families are used in most, as families are the things that most value the most, as we can relate to that we feel bad for the person to which it has happened too.
All thrillers have a clear antagonist and protagonist which both have their own story, which we both normally end up feeling sorry for.
When weapons/props are used they normally are large, threatening and empowering props, for example a knife or a gun.
Some other general conventions of the thriller genre are to do with sound and editing. e.g. quick cuts and camera angle changes, music that gives tension. It can be to do with lighting, especially the use of shadow. Mirrors and stairs are also conventions of thriller movies.
For example in angles and demons, the antagonist does what he has too do in order to do what he thinks is good and to help the people, so the old saying of sometimes you must do bad things to do good. But he is the one to us and is shown to be the one that is doing bad.
In The silence of the lambs opening credits the women is running through the woods on her own, and the camera looks handheld and it is tracking her, she also never looks right at the camera which would imply that she didn't know it was there, this all give us the idea that she is being watched.
So far we think we will, take the idea of a women being on her own, and also use the idea that she does not know who that she is being watched.
They all seem to use the idea that someone is being watch and that no one is safe, this creeps up the audience as they too don't normally know what is doing the watching a following so it makes us think that if the person who is being followed and watched does not know neither could we.
The create the effect of someone being followed by using hand-held cameras to show it from the stalkers point of view, they also use back tracking and tracking to show that someone may be following just behind.
I have noticed that they use girls that are alone, due to a female normally having a smaller and less imposing physical presence and could easily intimidated they are used, and them being alone makes them seem vulnerable.
Although in some thrillers you never really find out what is causing the trouble and who is the one doing the stalking until there very end, this helps build suspense and keeps us hooked and engaged throughout the whole film and it keeps us wanting to find out, in a way it involves the audience as we start to think about who it could be and why. In some of the films you see from the antagonist point of view even when you don't know who it is, like in se7en you see what he is doing at the beginning buy you do not see his face and that entices you, it shows your that people that you think are normal from what you see can be weird and twisted when they are left alone.
Thrillers also involve the battle of justice vs. injustice where often there is a price to be paid for the conclusion of the story.
Families are used in most, as families are the things that most value the most, as we can relate to that we feel bad for the person to which it has happened too.
All thrillers have a clear antagonist and protagonist which both have their own story, which we both normally end up feeling sorry for.
When weapons/props are used they normally are large, threatening and empowering props, for example a knife or a gun.
Some other general conventions of the thriller genre are to do with sound and editing. e.g. quick cuts and camera angle changes, music that gives tension. It can be to do with lighting, especially the use of shadow. Mirrors and stairs are also conventions of thriller movies.
For example in angles and demons, the antagonist does what he has too do in order to do what he thinks is good and to help the people, so the old saying of sometimes you must do bad things to do good. But he is the one to us and is shown to be the one that is doing bad.
In The silence of the lambs opening credits the women is running through the woods on her own, and the camera looks handheld and it is tracking her, she also never looks right at the camera which would imply that she didn't know it was there, this all give us the idea that she is being watched.
So far we think we will, take the idea of a women being on her own, and also use the idea that she does not know who that she is being watched.
music for piece
for the opening we are using many different sound effects and music. The music and sound effects we use must be un copyrighted and these are the sound effects and music we have found that could possibly be incorporated into our piece
The music we shall use must be uncopyrighted. For this reason we are using music off the website http://www.jamendo.com/en/tag/horror This is because all the music on this site is uncopyrighted and available for download legally. We will be using many different pieces of music in our thriller in order for the music to corespond with the action taking place on the screen
The music we shall use must be uncopyrighted. For this reason we are using music off the website http://www.jamendo.com/en/tag/horror This is because all the music on this site is uncopyrighted and available for download legally. We will be using many different pieces of music in our thriller in order for the music to corespond with the action taking place on the screen
location photos - the shed.
For this location i had to find somewhere which was isloated or could be made to look isloated. I had to find a shed which enabled us to film easily and was big enough for the group to fit into.
For this location i found a shed which is directly opposite my house. It has a rundown look which would help and add to the feel of the movie. I have asked the owner if we would be able to use it and he has said yes. The shed is wooden. Because i live just across the road from the shed we wil be able to use heavy lighting to help create the effects we want. Because of the location of the shed it is easy to create the feeling of it being isolated.
The health and safety of this shed is minimal. Again we must make sure all our phones are chargedin case we need to contact someone. I have also checked that the shed is structurly sound and so will be safe to work in. We wil also have to wear warm clothes as the shed is very cold.
For this location i found a shed which is directly opposite my house. It has a rundown look which would help and add to the feel of the movie. I have asked the owner if we would be able to use it and he has said yes. The shed is wooden. Because i live just across the road from the shed we wil be able to use heavy lighting to help create the effects we want. Because of the location of the shed it is easy to create the feeling of it being isolated.
The health and safety of this shed is minimal. Again we must make sure all our phones are chargedin case we need to contact someone. I have also checked that the shed is structurly sound and so will be safe to work in. We wil also have to wear warm clothes as the shed is very cold.
Location photos - car breakdown
For the location of the car breakdown we needed to find a road which loked as if it was not near civalisation. We also needed to find a road that was not busy so as to also show it wasnt near civealisation and also to make filming easier. The road needs to have a wood next to or near it as we need a place for the stalker to watch the woman (pov shots) and for her to go into the woods later on in the opening.
For this i have found a location. It is Debden road. I have chosen this as a good location becuase it is a quiet road and has layby wherewe can safely film the car without being an obstruction. Also there is a small wood by the side of the road which allows us to do the pov shots from the stalker and also to do the shots of the woman going into the woods.
Because this location is on a road we need to take lots of health and safety measures. We must make sure that we are not obstructing the road at any point during filming. We must also make sure that our phones are fully charged so as in case of emergency we can get hold of someone. I have already checked that phones get signal in this area. Because we are using a car we must take al the health and safety measures assosiated with a car, Such as making sure its not an obstruction. We must make sure that every member of the group knows al the health and safety measured before we start filming.
For this i have found a location. It is Debden road. I have chosen this as a good location becuase it is a quiet road and has layby wherewe can safely film the car without being an obstruction. Also there is a small wood by the side of the road which allows us to do the pov shots from the stalker and also to do the shots of the woman going into the woods.
Because this location is on a road we need to take lots of health and safety measures. We must make sure that we are not obstructing the road at any point during filming. We must also make sure that our phones are fully charged so as in case of emergency we can get hold of someone. I have already checked that phones get signal in this area. Because we are using a car we must take al the health and safety measures assosiated with a car, Such as making sure its not an obstruction. We must make sure that every member of the group knows al the health and safety measured before we start filming.
Research - Questionnaire !
This is some research on thrillers.
The questionnaire i designed included questions on personal preference and then in to more detail as to find what the consumers actually want.
Here are the results :
1. Are you male or female ?
The results were equal as i asked 5 males and 5 females to get a varied response.
2.How old are you?
The results were all the same. all of the participants were 17-18. I asked them for their age to determine what age group are the more dominant responders so we know who to aim our thriller at. E.G. The more closely linked to our groups age the easier it will be to target the audience, and if they were younger we would have to think of the the of content we could include.
3. What age certificate do you think thrillers are?
U PG 12 15 18
all of the participants answered 15 . This isn't necessarily true as thrillers range from PG- National treasure , 12- The dark knight , 15 - The matrix , 18 - Taken
From looking on websites the majority of thriller film seem to be the 15 and 18 band . this is probably because of the content as their if more violence,sexual images and gore
4. Would you rather watch a
Thriller comedy chick flick horror romantic
2 1 3 2 2
although the results show that the chick flick is most popular. Is was mostly female who chose that catogorie, opposed to the horror and thriller which were chosen by the boys.
5. Are you able to tell the differences between a thriller and a horror ?
Yes - 4 (boys) No (5 girls and one boy)
The results show that the boys can tell the difference between the thrillers this may not necessarily be true as its a very vague question . To improve on this i could have included some examples of a thrillers and horrors and asked which ones the thought were thriller and which the thought were horrors . the problem with doing this and having an open question in that its harder to analyse.
6. Do you prefer the main character being a
male- adult , child Female - adult , child
(1 boys,2 girls) (1 boy) (3 male , 2 female) (1 female)
The results are very varied but a majority of the participants chose a female adult victim. This may be because the women is seen as a weaker character and which when put in a thriller situation can be seen as being allot more vulnerable
7. What spook you the most in thrillers ?
Music Lighting Location Other (please state)
3 1 4 2 - plot
Most of the participants chose the location as what spooks them most in thrillers. In thrillers this is usually the key to scaring people . Eg a haunted house . is scarier then a normal modern house as it has creaking stairs and possible history.
8. Which type of thrillers do you prefer?
Action/adventure Crime Drama Mystery Psychological Romance Sci-fi/fantasy
1 2 2 1 3 0 1
The results showed that psychological thrillers (psychological thrillers - they deliberately used different techniques to create tension in the audience, they have maximum use of suspense which gets the audience gripping to their seats ! ) are the most popular our of the thrillers . This may not be 100% accurate as their were only 10 participants . If i were to do the test on a larger amount of participants then the results may have been allot different.
9. What make you want to see a thriller ?
Famous actors Good reviews Personal interests
(3) (5) (2)
It shows from these results that the influence of others can help to make a film more popular. If all the reviews are good that is ! as bad reviews can be publicised and can ruin a film .
The results from this questionnaire can help to determine what the audience want. Eg mor of the participant chose a female victim so this will help us to chose a type of thriller which can have a female as the lead.
The questionnaire i designed included questions on personal preference and then in to more detail as to find what the consumers actually want.
Here are the results :
1. Are you male or female ?
The results were equal as i asked 5 males and 5 females to get a varied response.
2.How old are you?
The results were all the same. all of the participants were 17-18. I asked them for their age to determine what age group are the more dominant responders so we know who to aim our thriller at. E.G. The more closely linked to our groups age the easier it will be to target the audience, and if they were younger we would have to think of the the of content we could include.
3. What age certificate do you think thrillers are?
U PG 12 15 18
all of the participants answered 15 . This isn't necessarily true as thrillers range from PG- National treasure , 12- The dark knight , 15 - The matrix , 18 - Taken
From looking on websites the majority of thriller film seem to be the 15 and 18 band . this is probably because of the content as their if more violence,sexual images and gore
4. Would you rather watch a
Thriller comedy chick flick horror romantic
2 1 3 2 2
although the results show that the chick flick is most popular. Is was mostly female who chose that catogorie, opposed to the horror and thriller which were chosen by the boys.
5. Are you able to tell the differences between a thriller and a horror ?
Yes - 4 (boys) No (5 girls and one boy)
The results show that the boys can tell the difference between the thrillers this may not necessarily be true as its a very vague question . To improve on this i could have included some examples of a thrillers and horrors and asked which ones the thought were thriller and which the thought were horrors . the problem with doing this and having an open question in that its harder to analyse.
6. Do you prefer the main character being a
male- adult , child Female - adult , child
(1 boys,2 girls) (1 boy) (3 male , 2 female) (1 female)
The results are very varied but a majority of the participants chose a female adult victim. This may be because the women is seen as a weaker character and which when put in a thriller situation can be seen as being allot more vulnerable
7. What spook you the most in thrillers ?
Music Lighting Location Other (please state)
3 1 4 2 - plot
Most of the participants chose the location as what spooks them most in thrillers. In thrillers this is usually the key to scaring people . Eg a haunted house . is scarier then a normal modern house as it has creaking stairs and possible history.
8. Which type of thrillers do you prefer?
Action/adventure Crime Drama Mystery Psychological Romance Sci-fi/fantasy
1 2 2 1 3 0 1
The results showed that psychological thrillers (psychological thrillers - they deliberately used different techniques to create tension in the audience, they have maximum use of suspense which gets the audience gripping to their seats ! ) are the most popular our of the thrillers . This may not be 100% accurate as their were only 10 participants . If i were to do the test on a larger amount of participants then the results may have been allot different.
9. What make you want to see a thriller ?
Famous actors Good reviews Personal interests
(3) (5) (2)
It shows from these results that the influence of others can help to make a film more popular. If all the reviews are good that is ! as bad reviews can be publicised and can ruin a film .
The results from this questionnaire can help to determine what the audience want. Eg mor of the participant chose a female victim so this will help us to chose a type of thriller which can have a female as the lead.
Thursday, January 21, 2010
Self evaluation
self evaluation of skills so far (out of 5)
organization - 3
deadlines - 4
reliablility - 4
My main area of concern is my organisation, but this can be improved by me putting in afew extra min's to do stuff. For example i can put all work and ideas i get and put them in a folder and take the time to make sure that i put everything that i need into my bag for the lessons, i should get into a routine which includes me putting an hour a night into my media work.
After doing my practice filming i am confident in my pratical camera skills, i am able to understand a do pan's tilts, tracking and i am able to use the zoom effectivly.
I learnt alot from our first outing with the cameras, i was never sure how to upload videos, or how to confidently use a cam corder in the first place. IT made me aware of the things you have to look out for when recording.... such as light and other sounds and obstrucking objects.
The area i could do better in is my editing, i have not as confident at loading up pictures and films and then putting all together and managing the takes, but i can learn it all better by me putting in afew extra hours of playing around with it.
organization - 3
deadlines - 4
reliablility - 4
My main area of concern is my organisation, but this can be improved by me putting in afew extra min's to do stuff. For example i can put all work and ideas i get and put them in a folder and take the time to make sure that i put everything that i need into my bag for the lessons, i should get into a routine which includes me putting an hour a night into my media work.
After doing my practice filming i am confident in my pratical camera skills, i am able to understand a do pan's tilts, tracking and i am able to use the zoom effectivly.
I learnt alot from our first outing with the cameras, i was never sure how to upload videos, or how to confidently use a cam corder in the first place. IT made me aware of the things you have to look out for when recording.... such as light and other sounds and obstrucking objects.
The area i could do better in is my editing, i have not as confident at loading up pictures and films and then putting all together and managing the takes, but i can learn it all better by me putting in afew extra hours of playing around with it.
Wednesday, January 20, 2010
practical c/w
self evaluation of skills so far (out of 5)
organization - 3
deadlines - 3
reliablility - 4
I think that i need to work on my organization so that all the work i do gets onto the blog in time for it to be looked at by the other members of the group and discussed.
Technical skills
After our first mini movie my camera skills have developed and i am now able to work the camera confidently. I am now familiar with the editing equipment and can edit things well and add sound to film clips. I think my camera skills need more work though and i could practice my editing more with more concentration on the editing we have decided upon so that when it comes to edit the final piece i know exactly how to do the edits.
organization - 3
deadlines - 3
reliablility - 4
I think that i need to work on my organization so that all the work i do gets onto the blog in time for it to be looked at by the other members of the group and discussed.
Technical skills
After our first mini movie my camera skills have developed and i am now able to work the camera confidently. I am now familiar with the editing equipment and can edit things well and add sound to film clips. I think my camera skills need more work though and i could practice my editing more with more concentration on the editing we have decided upon so that when it comes to edit the final piece i know exactly how to do the edits.
sound ideas for our film
In our film we will use a range of different sound techniqes to create different effects within our opening.
The music we use will be in the minor key as in most thriller films as it creates a sense of foreboding in the audience. We will use ambient sound to help establish whats going on a scene and to also create different effects.
We will use sound bridges during the credits and opening to show the audience that all the different scenes are related and to create a sense of movement within the film.
Duirng moments of suspense we could bring in the music and slowly increase the tempo and volume to show that it is leading up to something and create a feeling of suspese and fear within the audience.
We could use both non diagetic and diagetic sounds to create different emotions within the audience but also to show the different emotions of the characters on screen.
The music we use will be in the minor key as in most thriller films as it creates a sense of foreboding in the audience. We will use ambient sound to help establish whats going on a scene and to also create different effects.
We will use sound bridges during the credits and opening to show the audience that all the different scenes are related and to create a sense of movement within the film.
Duirng moments of suspense we could bring in the music and slowly increase the tempo and volume to show that it is leading up to something and create a feeling of suspese and fear within the audience.
We could use both non diagetic and diagetic sounds to create different emotions within the audience but also to show the different emotions of the characters on screen.
sound in films - research
Sound in films has developed over time from silent movies movies with music playing to full blown action movies with dialogue, music, sound effects and more.
There are many different types of sound in movies such as ambient sound (birds,traffic), diagetic sound (dialogue, footsteps) and non diagetic sound (music).
In thiller movies there is a high use of all these different types of sounds.
Sounds can be used to create different emotions within the audience such as suspence, happiness and anger.
For example a lack of music (non diegetic) and only a very small amount of ambient sound (such as a bird) can give the impression of being deserted, isolated and alone.
Music plays a big part in movies to control the emotion that the audience is feeling when watching the film. For example in a happy moment in the film very loud, upbeat music playing will also make the audience feel happy. Whereas a soft piece of music in the minor key can play a big part in thriller films as it gives the impression of fear and foreboding in the audience.
The volume and tempo of the music can also create emotions within the audience and in thriller films the use of increasing volume and tempo creates suspence in the audience and leads them into certain events happening within the film.
The use of sound bridges is also very useful in thriller films as it links two scenes together showing the audience that they are related or happening at the same time.Sound bridges could be with any type of sound including music, dialogue or ambient sound.
Sound bridges are often used in the openings of thriller films when there are lots of establishing shots and shots which may not nessasarilly mean anything to the audience this early in the film.
There are many different types of sound in movies such as ambient sound (birds,traffic), diagetic sound (dialogue, footsteps) and non diagetic sound (music).
In thiller movies there is a high use of all these different types of sounds.
Sounds can be used to create different emotions within the audience such as suspence, happiness and anger.
For example a lack of music (non diegetic) and only a very small amount of ambient sound (such as a bird) can give the impression of being deserted, isolated and alone.
Music plays a big part in movies to control the emotion that the audience is feeling when watching the film. For example in a happy moment in the film very loud, upbeat music playing will also make the audience feel happy. Whereas a soft piece of music in the minor key can play a big part in thriller films as it gives the impression of fear and foreboding in the audience.
The volume and tempo of the music can also create emotions within the audience and in thriller films the use of increasing volume and tempo creates suspence in the audience and leads them into certain events happening within the film.
The use of sound bridges is also very useful in thriller films as it links two scenes together showing the audience that they are related or happening at the same time.Sound bridges could be with any type of sound including music, dialogue or ambient sound.
Sound bridges are often used in the openings of thriller films when there are lots of establishing shots and shots which may not nessasarilly mean anything to the audience this early in the film.
Tuesday, January 19, 2010
Our lighting ideas
In our clip we will make we have disided at the moment that we will use mainly natural light.
We think that our setting and the time of day we choose will be enough to create the atmosphere we are looking to make. We plan to film during the afternoon, so maybe at the start of dusk, this would make the natual light quite dull and dim.... and no colours would really stand out.... When we want to make shadows or to put ephasis on somthing we will use a touch or electric lamp to light up the area we want.
When we do a bit of our clip in a shed we would want to have maybe a TINY bit of natural light, this would make people think that the girl is locked up and it would be near enough impossible to get out, it would also signifie the fact that there was no hope, or very little hope.... We plan to use a lamp to dimly light up the shed, We thought also we could use a coloured lense maybe red, to create more of a creepy atmosphere.
We think that our setting and the time of day we choose will be enough to create the atmosphere we are looking to make. We plan to film during the afternoon, so maybe at the start of dusk, this would make the natual light quite dull and dim.... and no colours would really stand out.... When we want to make shadows or to put ephasis on somthing we will use a touch or electric lamp to light up the area we want.
When we do a bit of our clip in a shed we would want to have maybe a TINY bit of natural light, this would make people think that the girl is locked up and it would be near enough impossible to get out, it would also signifie the fact that there was no hope, or very little hope.... We plan to use a lamp to dimly light up the shed, We thought also we could use a coloured lense maybe red, to create more of a creepy atmosphere.
Lighting effects
When watching this i was watching this clip i was focusing on what lighting effects they had and then what effect they had on its audience.
The main colours in the clip are white, black, blood red and a muddy brown.... to start with these colours are not very vibrant, this makes the audience think that somthing isnt quite right as all the right colours or full colours arnt there. I think they also played around with the contrast when they were editing, which stop the colours from being so bold and sharp.... it makes the colours alot darker and grayer...
From what i can tell they have used mostly natural light and even that is restricks it, this makes the romm which its is filmed dark and gloomy which creates a tenses and suspicious atmposphere.
They use the light, weather it is natural or artificial to create shadows which they have used alot and it has a great effect on people as it adds abit of mystery to the clip as you are not able to see what or who is there.... This in turn would make people want to watch on as they would want to find out who it was who was making the shadows.
The red contrasts the other colours alot but as it is a blood red it fits in quite well, it makes you think of blood and when you think of blood you think of murder, so then it makes you think that something on the lines of a murder could take place, and this aswell would make people want to watch on and find out what happens..
Lesson work
During this lesson we have done the story board of our ideas for the whole of the opening. The story board includes shot type, shot time, dialog, any camera movement and any additional lighting.
Monday, January 18, 2010
Practical c/w
Self evaluation of skills (out of 5)
Organisation: 3
Deadlines: 3
Reliability: 3
To improve I can, make sure I write EVERY thing down! And try to have an organised folder which will make it easier to find sheets.
Technical skills
I would say that after our first practise I can operate the camera, Use a tripod, and have basic skills on the editing programme which will be useful when I come to edit our thriller opening. I also learnt when filming the basics, that you should be very award of your surroundings and to have back up (main) props in case the first ones become damaged. I also learnt to share roles e.g. if I am always in charge of the camera then it won’t give any of the others in my group a chance to share their ideas and have the camera.
Location
Before deciding the final location we will need to consider how easy it is for the group to get to the possible locations and whether there in walking distance or parents are available to take us. We also need to consider whether there are enough connections for camera batteries or lighting. If not then we need to figure out how to solve that problem. E.g. we can get spare camera batteries and for lighting have a few torches, batteries or a car connection.
Research
We will need to research what type on content in the different age restrictions so we can correctly rate our thriller and aim it at the right target audience.
Organisation: 3
Deadlines: 3
Reliability: 3
To improve I can, make sure I write EVERY thing down! And try to have an organised folder which will make it easier to find sheets.
Technical skills
I would say that after our first practise I can operate the camera, Use a tripod, and have basic skills on the editing programme which will be useful when I come to edit our thriller opening. I also learnt when filming the basics, that you should be very award of your surroundings and to have back up (main) props in case the first ones become damaged. I also learnt to share roles e.g. if I am always in charge of the camera then it won’t give any of the others in my group a chance to share their ideas and have the camera.
Location
Before deciding the final location we will need to consider how easy it is for the group to get to the possible locations and whether there in walking distance or parents are available to take us. We also need to consider whether there are enough connections for camera batteries or lighting. If not then we need to figure out how to solve that problem. E.g. we can get spare camera batteries and for lighting have a few torches, batteries or a car connection.
Research
We will need to research what type on content in the different age restrictions so we can correctly rate our thriller and aim it at the right target audience.
Friday, January 15, 2010
Possable Prop ideas
For this Thriller opening we have planned to do it in a forest setting which will have its own natural props E.g. Twigs , leaves and natural plants . This will make the setting more realistic. Some problems that may occur are that they may be in the wrong position e.g the trees may be in the way or passably blocking the light giving an unintentional shadow . To prevent this we will have to have some test shots to establish what time of day will be best for filming . Because we want a darker light we will have to film in the late afternoon .
We will need some thing that will make smoke to give a visual image if the car bonnet smoking. We we can use hot water, which will steam because its cold ! or we can use a smoke machine that can be plugged in to car adapter. We can use my car as the broken down car , as it is convenient .
We will need some thing that will make smoke to give a visual image if the car bonnet smoking. We we can use hot water, which will steam because its cold ! or we can use a smoke machine that can be plugged in to car adapter. We can use my car as the broken down car , as it is convenient .
Thursday, January 14, 2010
Lesson work
We watch silence of them lambs, while watching it gave us the idea of someone being watch, and the way inwhich it would be filmed.
-Mixing diagetic and non diagetic sounds
-How and when to use establishing shots
-Use both tracking and back to show to create a greater effect
-Close up on boby parts to make points... eg the feet to show the speed
-Mixing diagetic and non diagetic sounds
-How and when to use establishing shots
-Use both tracking and back to show to create a greater effect
-Close up on boby parts to make points... eg the feet to show the speed
plot summary - new and detailed
the opening - the woman has broken down on the side of the road. You see her through the stalker perspective and her situation through her perspective. There is the sound of a heartbeat and quiet music in the background. It flashes from the action to the credits continuously in time with the heartbeat sound effect. then the music stops and it cuts to a shot of the woman lying gagged and bound in a shed. There are pictures of her doing daily activities all over the walls. It zooms in on the woman's face and as it gets to an extreme close up the woman's face her expression is scared. You never see what of. It then quickly zooms out and backtracks out the room and ten the door slams and you hear her scream.
basic plot summary 1
For the whole film - a woman was being stalked goes missing, police try and solve case while other women keep going missing. Race against time.
for the opening - woman being followed, see it from her perspective and the stalkers.
for the opening - woman being followed, see it from her perspective and the stalkers.
50 words describing my storyboard idea
There is establishing shots of the location. There is a woman walking down a road and someone is hiding and watching her. This has dark lighting to show it happened in the past. There is then a close up of a missing poster with the woman's face on and there is a man standing in front of the poser. The man drops a scarf on the floor and zoom in on the scarf to see that it is the missing woman's.
Tuesday, January 12, 2010
3 50 word thriller film plot scenarios
Scenario 1-Terror Plot
The British Prime minister and U.S President assassinated at a meeting between the two nations in Italy. This causes panic and distress among the Western civilizations of the world. Two ex CIA and SAS personnel are called in by NATO governments to hunt down and kill or capture the assailants before they have time to hit the two capitals (London and Washington) with simultaneous terror attacks resulting in massive loss of life and bringing two of the worlds largest superpowers to its knees.
Scenario 2-Sci-fi flick.
The year is 2092 and Earth receives a message in the form of 'white noise' from outer space and starts to investigate immediately, sending deep space cruisers and battle fleets to the location where the message originated. Upon arrival the earth fleet is suddenly and deliberately attacked by overwhelming and technologically superior beings. When the message that the earth fleet was annihilated gets back home, the governments of the world set up defenses and await the imminent invasion from the savage and warmongering civilization
Scenario 3-Disaster film
The year is 2030 and the earths resources are depleted and global warming is causing havoc all over the world. A geologist and global warming expert must brave overwhelming odds to stay alive in a world ravaged by disease, natural disasters and war. His only hope and that of humanities hope is to reach the underground compound in a city once known as New York. The bunker was formally used as a hide out for top brass during world war 2 incase of Japanese attacks on the U.S homeland, but now houses the U.S president, chiefs of staff, and climate control experts. He must search for a defense against the suns crushing and destructive nature. And end this apocalyptic situation the earth has been thrown into.
The British Prime minister and U.S President assassinated at a meeting between the two nations in Italy. This causes panic and distress among the Western civilizations of the world. Two ex CIA and SAS personnel are called in by NATO governments to hunt down and kill or capture the assailants before they have time to hit the two capitals (London and Washington) with simultaneous terror attacks resulting in massive loss of life and bringing two of the worlds largest superpowers to its knees.
Scenario 2-Sci-fi flick.
The year is 2092 and Earth receives a message in the form of 'white noise' from outer space and starts to investigate immediately, sending deep space cruisers and battle fleets to the location where the message originated. Upon arrival the earth fleet is suddenly and deliberately attacked by overwhelming and technologically superior beings. When the message that the earth fleet was annihilated gets back home, the governments of the world set up defenses and await the imminent invasion from the savage and warmongering civilization
Scenario 3-Disaster film
The year is 2030 and the earths resources are depleted and global warming is causing havoc all over the world. A geologist and global warming expert must brave overwhelming odds to stay alive in a world ravaged by disease, natural disasters and war. His only hope and that of humanities hope is to reach the underground compound in a city once known as New York. The bunker was formally used as a hide out for top brass during world war 2 incase of Japanese attacks on the U.S homeland, but now houses the U.S president, chiefs of staff, and climate control experts. He must search for a defense against the suns crushing and destructive nature. And end this apocalyptic situation the earth has been thrown into.
Monday, January 11, 2010
examples of different types of credits
example of a title sequence
an example of a title but no opening credits
an example of where credits are superimposed over action going on in the film
an example of credits superimposed over one scene
an example of where credits are shown through animation (another type of title sequence)
an example of credits on a blank screen
an example of a title but no opening credits
an example of where credits are superimposed over action going on in the film
an example of credits superimposed over one scene
an example of where credits are shown through animation (another type of title sequence)
an example of credits on a blank screen
credits
All films, tv programmes and video games include credits. There are two types of credits these being the opening credits (which we are focusing on) and the closing credits.
Billing is the term used in film to describe the process of working out the amount and order in which film credits information is presented.
As we are only making the opening to a thriller film we will only be focusing on the opening credits.
The opening credits are shown at the very beginning and list the most important members of the production. they are usually shown as text superimposed on a blank screen or as static pictures or sometimes superimposed over the action going on on the screen. When the opening credits are built into a separate sequence of their own they then become a title sequence. Since the 1980's opening credits list the most important members of production where as the closing credits list all the members involved in the production at any time. However before 1980 the opening credits were the only source of crew credits.
in films the title and opening credits may be proceeded by a 'cold-open' or a brief scene which helps to set the stage for the film.
Some films have even got rid of opening credits altogether such as the film van helsing (2004) and batman begins (2005) which did not even show the title of the film until the closing credits began rolling.
Films such as star wars do not have any opening credits, just a title. Many directors have since followed this trend and now many films (the dark knight, avatar, hostel) do not have opening credits just the title of the film shown.
The usual order for the opening credits is ;
the name of the studio
the name of the production company
the director/producer first credits
the names of the principal actors
the films title
the names of the featuring actors
the names of the casting, production design and set design etc.
Billing is the term used in film to describe the process of working out the amount and order in which film credits information is presented.
As we are only making the opening to a thriller film we will only be focusing on the opening credits.
The opening credits are shown at the very beginning and list the most important members of the production. they are usually shown as text superimposed on a blank screen or as static pictures or sometimes superimposed over the action going on on the screen. When the opening credits are built into a separate sequence of their own they then become a title sequence. Since the 1980's opening credits list the most important members of production where as the closing credits list all the members involved in the production at any time. However before 1980 the opening credits were the only source of crew credits.
in films the title and opening credits may be proceeded by a 'cold-open' or a brief scene which helps to set the stage for the film.
Some films have even got rid of opening credits altogether such as the film van helsing (2004) and batman begins (2005) which did not even show the title of the film until the closing credits began rolling.
Films such as star wars do not have any opening credits, just a title. Many directors have since followed this trend and now many films (the dark knight, avatar, hostel) do not have opening credits just the title of the film shown.
The usual order for the opening credits is ;
the name of the studio
the name of the production company
the director/producer first credits
the names of the principal actors
the films title
the names of the featuring actors
the names of the casting, production design and set design etc.
Thursday, January 7, 2010
A little history lesson of thrillers and how they have changed !
One of the earliest 'thrillers' was a comic directed by Fred Meyer and Sam Taylor in 1923 , called 'safety last ! ' the plot is a a country boy (Lloyd) who moves to the city to seek success . While working as a clerk in a department store he talks the manager in to offering $1000 to any one who can bring more customers to the store. He then arranges a friend, the *human fly* to climb the face of the store building as a publisity stunt. Un fortunatly the *human fly* is a wanted man , when the law shows , our hero himself must climb the building himself . And at the top at the ledge he encounters new difficulties , climaxing in the famous clock scene.
This thriller seems extremely tame compared to the car chases and dare devil stunts which are seen in modern thrillers . The reasons for these changes are partyly due to changes in technoloy as their is a wider variety of special effects and new filming technology eg high tech green screens and the more in depth use of editing. Another main reason for a change in thrillers is due to the change in the media, producers and directors have become more extreme and virtually limitless in to what their thrillers can contain , this it to keep up with the consumers as they have to have a memorable drametic shock effect to make it more compelling for their audiences .
This thriller seems extremely tame compared to the car chases and dare devil stunts which are seen in modern thrillers . The reasons for these changes are partyly due to changes in technoloy as their is a wider variety of special effects and new filming technology eg high tech green screens and the more in depth use of editing. Another main reason for a change in thrillers is due to the change in the media, producers and directors have become more extreme and virtually limitless in to what their thrillers can contain , this it to keep up with the consumers as they have to have a memorable drametic shock effect to make it more compelling for their audiences .
Tuesday, January 5, 2010
Lesson Brainstorm
In our first lesson in a group, we sat round a table and thought of idea that we could use in our opening, and also ideas and effects we wanted to research on.
This is what he "brainstormed"
Sounds;
-Music i the minor key
-abient, diagetic/non diagetic
-sound bridges
Audienice;
-Reasearch target market
-Reasearch the age category's (U, PG, 12/12A, 15, 18)
Lighting;
-Dark- moody
-sterile (white)
-Natural or fake lighting
-spot lights
Credits;
-Superimposing
-Built into the set
Ideas;
-Man/Women that has a split personality, this could be done through the use of lighting and the set
-Someone being followed home
-Just watching what someone is doing (somthing creepy)
-Looking at crime scenes
-Handhelp, so it looks like it is real life a documentary
We plan to devlop our ideas and rule out them as we go along. We will add to this list as we come up with new idea. :)
This is what he "brainstormed"
Sounds;
-Music i the minor key
-abient, diagetic/non diagetic
-sound bridges
Audienice;
-Reasearch target market
-Reasearch the age category's (U, PG, 12/12A, 15, 18)
Lighting;
-Dark- moody
-sterile (white)
-Natural or fake lighting
-spot lights
Credits;
-Superimposing
-Built into the set
Ideas;
-Man/Women that has a split personality, this could be done through the use of lighting and the set
-Someone being followed home
-Just watching what someone is doing (somthing creepy)
-Looking at crime scenes
-Handhelp, so it looks like it is real life a documentary
We plan to devlop our ideas and rule out them as we go along. We will add to this list as we come up with new idea. :)
Different age Category
I have looked into each age Category and i now understand what the difference between each one is, i understand what can and can not be in each one and the reasons behind it.
The age category i think really changes the film so it should be very easy if you didnt know the age category before watching to take a good guess after seeing it....
For example .............
U
PG
12/12A
15
18
Thanks for watching :) Hope you all learnt somthing whilest having some fun aswell!
The age category i think really changes the film so it should be very easy if you didnt know the age category before watching to take a good guess after seeing it....
For example .............
U
PG
12/12A
15
18
Thanks for watching :) Hope you all learnt somthing whilest having some fun aswell!
The ‘18’ Category
Example- Saw
Is an ‘18’ certificate on a video game the same as an ‘18’ for a film or DVD?
Yes, if a video game is rated ‘18’ it contains strong material and is not suitable for players who are under 18.
What sort of issues might I find in an ’18’, film, DVD or video game?
‘18’ works are for adults and can contain strong issues such as:
• very strong violence
• frequent strong language (eg 'f***') and/or very strong language (eg ‘c***’)
• strong portrayals of sexual activity
• scenes of sexual violence
• strong horror
• strong blood and gore
• discriminatory language and behaviour
An ‘18’ work could also contain depictions of real sex if it is justified by context.
Can you see drugs in an '18'?
At ‘18’ drug taking may be shown but the work as a whole must not promote or encourage drug misuse.
If adults can watch what they want, what might be cut from an ‘18’ work?
Cuts are occasionally made to ‘18’ films, DVDs and video games. Intervention is most likely in the following areas:
• where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
• where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
• where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works and, in “sex works” (see below), would normally be confined to that category.
In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.
Is an ‘18’ certificate on a video game the same as an ‘18’ for a film or DVD?
Yes, if a video game is rated ‘18’ it contains strong material and is not suitable for players who are under 18.
What sort of issues might I find in an ’18’, film, DVD or video game?
‘18’ works are for adults and can contain strong issues such as:
• very strong violence
• frequent strong language (eg 'f***') and/or very strong language (eg ‘c***’)
• strong portrayals of sexual activity
• scenes of sexual violence
• strong horror
• strong blood and gore
• discriminatory language and behaviour
An ‘18’ work could also contain depictions of real sex if it is justified by context.
Can you see drugs in an '18'?
At ‘18’ drug taking may be shown but the work as a whole must not promote or encourage drug misuse.
If adults can watch what they want, what might be cut from an ‘18’ work?
Cuts are occasionally made to ‘18’ films, DVDs and video games. Intervention is most likely in the following areas:
• where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
• where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
• where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works and, in “sex works” (see below), would normally be confined to that category.
In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.
THE '15' CATEGORY
Example- 8-mile
Is a ‘15’ certificate on a video game the same as a ‘15’ for a film or DVD?
Yes, if a video game is rated ‘15’ it is not suitable for players who are under 15. Parents should not assume that because something is a game it is unlikely to contain the same sort of material as a ‘15’ rated film or DVD. If the BBFC has rated a game ‘15’ it is because it does contain the same sort of material as a ‘15’ rated film or DVD.
The ‘15’ rating has nothing to do with the difficulty of a game or the amount of skill required to play it.
What sort of issues might I find in a ‘15’ film, DVD or video game?
‘15’ works are stronger than '12' or ‘12A’ rated works and could include any of the following:
• strong violence
• frequent strong language (eg 'f***').
• portrayals of sexual activity
• strong verbal references to sex
• sexual nudity
• brief scenes of sexual violence or verbal references to sexual violence
• discriminatory language or behaviour
• drug taking
Occasionally there may be uses of the strongest terms (eg 'c***'), although continued aggressive use will not normally be passed at ‘15’. For more detailed information on the ‘15’ category click here to read the BBFC guidelines
What about horror works?
At’15’ there can be strong threat and menace (as long as it is not sadistic or sexualised), although the strongest gory images are unlikely to be acceptable.
Can you see drugs in a ‘15’?
At ‘15’ drug taking may be shown but the work as a whole must not promote or encourage drug misuse.
The misuse of easily accessible and highly dangerous substances like aerosols or solvents is unlikely to be acceptable at ‘15’
Is a ‘15’ certificate on a video game the same as a ‘15’ for a film or DVD?
Yes, if a video game is rated ‘15’ it is not suitable for players who are under 15. Parents should not assume that because something is a game it is unlikely to contain the same sort of material as a ‘15’ rated film or DVD. If the BBFC has rated a game ‘15’ it is because it does contain the same sort of material as a ‘15’ rated film or DVD.
The ‘15’ rating has nothing to do with the difficulty of a game or the amount of skill required to play it.
What sort of issues might I find in a ‘15’ film, DVD or video game?
‘15’ works are stronger than '12' or ‘12A’ rated works and could include any of the following:
• strong violence
• frequent strong language (eg 'f***').
• portrayals of sexual activity
• strong verbal references to sex
• sexual nudity
• brief scenes of sexual violence or verbal references to sexual violence
• discriminatory language or behaviour
• drug taking
Occasionally there may be uses of the strongest terms (eg 'c***'), although continued aggressive use will not normally be passed at ‘15’. For more detailed information on the ‘15’ category click here to read the BBFC guidelines
What about horror works?
At’15’ there can be strong threat and menace (as long as it is not sadistic or sexualised), although the strongest gory images are unlikely to be acceptable.
Can you see drugs in a ‘15’?
At ‘15’ drug taking may be shown but the work as a whole must not promote or encourage drug misuse.
The misuse of easily accessible and highly dangerous substances like aerosols or solvents is unlikely to be acceptable at ‘15’
THE '12A' AND '12' CATEGORY
Example- Dark knight, Spider Man
What's the difference between '12' and '12A'?
The '12' certificate is just for videos, DVDs and games. '12A' is for films only.
Is there a lower age limit for a '12A' film?
No. However, the BBFC considers the content of '12A' rated films to be suitable for children aged 12 and over, and we would not recommend taking very young children to see them. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult.
How important is the tone of a film at ‘12’ or ‘12A’?
The overall tone of a film, DVD or video game, and the way it makes the audience feel may affect the classification. For example, a work which has a very dark or unsettling tone which could disturb the audience would be less likely to be passed ‘12A’ even if the individual issues in the film were considered acceptable under the BBFC guidelines. Similarly, if a work is particularly positive or reassuring this may stop it being pushed up a category.
Will there be uses of strong language in a ‘12’ or ‘12A’ work?
The BBFC's Guidelines state that there may be strong language (eg 'f***') at ‘12’ or ‘12A’, but it must be infrequent. The context of the strong language is important and aggressive uses of strong language may result in a film or DVD being placed at the ‘15’ category. There is some allowance for puns on strong language at this category. There may be moderate language (uses of terms such as ‘bitch’ and ‘twat’ at ‘12’ 0r ‘12A’.
Discriminatory language may be present but will not be endorsed by the work as a whole. Aggressive use of discriminatory language (for example homophobic or racist terms) is unlikely to be acceptable at ‘12’ or ‘12A’ unless it is clearly condemned,
Will there be uses of strong language in a ‘12A’ work?
The BBFC's Guidelines state that there may be strong language (eg 'f***') at ‘12A’, but it must be infrequent. The context of the strong language is important and aggressive uses of strong language may result in a film or DVD being placed at the ‘15’ category. There is some allowance for puns on strong language at this category.
Do ‘12A’ films contain sex?
Sex may be briefly and discreetly portrayed in a ‘12A’ film, DVD or video game. Verbal sex references should not go beyond what is suitable for young teenagers and frequent crude sex references are unlikely to be accepted. There may be nudity in ‘12A’ films but sexual nudity should only be brief and discreet.
What sort of violence can I expect in a ‘12' or '12A’ ?
At ‘12A’, moderate violence is allowed but it should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if they can be justified by their context (for example brief sight of bloody injury in a medical drama).
Sexual violence may only be implied or briefly and discreetly indicated at ‘12A’. It must also have a strong contextual justification.
Can horror films be passed ‘12’ or ‘12A’?
Yes, some horror films are passed at this category. Moderate physical and psychological threat is permitted at ‘12’ or ‘12A’ as long as disturbing sequences are not too frequent or sustained.
What about other issues like imitable behaviour or drugs at ‘12’ or ‘12A’?
Dangerous behaviour (for example hanging, suicide and self-harming) may be present in ‘12’ or ‘12A’ works but will not dwell on detail which could be copied or present those activities as pain or harm free. Weapons which might be easily accessible to 12 year olds should not be glamorised in ‘12A’ and ‘12’ works. Discriminatory behaviour should not be endorsed by the film as a whole.
There may be infrequent sight of drugs misuse in a ‘12’ or a ‘12A’ but the portrayal should not be glamorised or provide instructional details.
What's the difference between '12' and '12A'?
The '12' certificate is just for videos, DVDs and games. '12A' is for films only.
Is there a lower age limit for a '12A' film?
No. However, the BBFC considers the content of '12A' rated films to be suitable for children aged 12 and over, and we would not recommend taking very young children to see them. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult.
How important is the tone of a film at ‘12’ or ‘12A’?
The overall tone of a film, DVD or video game, and the way it makes the audience feel may affect the classification. For example, a work which has a very dark or unsettling tone which could disturb the audience would be less likely to be passed ‘12A’ even if the individual issues in the film were considered acceptable under the BBFC guidelines. Similarly, if a work is particularly positive or reassuring this may stop it being pushed up a category.
Will there be uses of strong language in a ‘12’ or ‘12A’ work?
The BBFC's Guidelines state that there may be strong language (eg 'f***') at ‘12’ or ‘12A’, but it must be infrequent. The context of the strong language is important and aggressive uses of strong language may result in a film or DVD being placed at the ‘15’ category. There is some allowance for puns on strong language at this category. There may be moderate language (uses of terms such as ‘bitch’ and ‘twat’ at ‘12’ 0r ‘12A’.
Discriminatory language may be present but will not be endorsed by the work as a whole. Aggressive use of discriminatory language (for example homophobic or racist terms) is unlikely to be acceptable at ‘12’ or ‘12A’ unless it is clearly condemned,
Will there be uses of strong language in a ‘12A’ work?
The BBFC's Guidelines state that there may be strong language (eg 'f***') at ‘12A’, but it must be infrequent. The context of the strong language is important and aggressive uses of strong language may result in a film or DVD being placed at the ‘15’ category. There is some allowance for puns on strong language at this category.
Do ‘12A’ films contain sex?
Sex may be briefly and discreetly portrayed in a ‘12A’ film, DVD or video game. Verbal sex references should not go beyond what is suitable for young teenagers and frequent crude sex references are unlikely to be accepted. There may be nudity in ‘12A’ films but sexual nudity should only be brief and discreet.
What sort of violence can I expect in a ‘12' or '12A’ ?
At ‘12A’, moderate violence is allowed but it should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if they can be justified by their context (for example brief sight of bloody injury in a medical drama).
Sexual violence may only be implied or briefly and discreetly indicated at ‘12A’. It must also have a strong contextual justification.
Can horror films be passed ‘12’ or ‘12A’?
Yes, some horror films are passed at this category. Moderate physical and psychological threat is permitted at ‘12’ or ‘12A’ as long as disturbing sequences are not too frequent or sustained.
What about other issues like imitable behaviour or drugs at ‘12’ or ‘12A’?
Dangerous behaviour (for example hanging, suicide and self-harming) may be present in ‘12’ or ‘12A’ works but will not dwell on detail which could be copied or present those activities as pain or harm free. Weapons which might be easily accessible to 12 year olds should not be glamorised in ‘12A’ and ‘12’ works. Discriminatory behaviour should not be endorsed by the film as a whole.
There may be infrequent sight of drugs misuse in a ‘12’ or a ‘12A’ but the portrayal should not be glamorised or provide instructional details.
The ‘PG’ Category
Example- Mr Bean’s holiday, Surfs up
Are all ‘PG’ films made for younger audiences?
No. Some films, such as documentaries, are given a ‘PG’ certificate but have not been made with a young audience in mind. However, the certificate means that any issues in the work are appropriate for the majority of this age group and nothing should upset a child of eight or over.
What sort of themes are passed at ‘PG’?
No theme is prohibited at ‘PG’, as long as it is treated in a manner appropriate to the category. ‘PG’ works can explore challenging issues such as domestic violence, bereavement or racism.
In a ‘PG’ work, illegal or antisocial behaviour, such as bullying, will not be condoned or seen to go unchallenged. Smoking and drinking will not be promoted or glamorised and if child characters are seen smoking or drinking, there should be a clear message that this is bad. If drugs are mentioned or seen, a ‘PG’ work should emphasise that they are harmful.
Will there be bad language in a ‘PG’ film?
There may be mild bad language (such as ‘shit’ or ‘son of a bitch’) in a ‘PG’ film, but the context and delivery are always important. For example, if the language is used aggressively or if there is too much bad language, a work may be passed at the next category.
What about sex?
References to sex are acceptable if the activity talked about or shown is implied and lacking in detail. In addition, if a child is unlikely to understand a reference, we may allow it at ‘PG’.
What about violence or horror at ‘PG’?
There should be no detail of violence in a ‘PG’ work, so while there might be some blood, we would not see how the injury was inflicted. Violence is generally more acceptable in a historical or fantasy setting, because of the distancing that this provides.
As far as horror goes, we allow some 'jump' moments and scary scenes, but sequences showing significant or realistic violence, horror or threat must not be prolonged.
What about behaviour children might copy?
Potentially dangerous behaviour which children might copy (such as a child climbing into a washing-machine or playing with electricity) is unlikely to be acceptable at ‘PG’, especially if it comes across as safe or fun. Realistic or easily accessible weapons, such as knives, will not be glamorised or focused upon in a ‘PG’ work.
Will there be any drugs in a ‘PG’?
There might be innocuous or passing references to illegal drugs or drugs misuse in a ‘PG’ work, although there should be no strong focus on this. In addition drug references may be permissible if there is a clear anti-drugs or educational message likely to be understood by children over eight.
Are all ‘PG’ films made for younger audiences?
No. Some films, such as documentaries, are given a ‘PG’ certificate but have not been made with a young audience in mind. However, the certificate means that any issues in the work are appropriate for the majority of this age group and nothing should upset a child of eight or over.
What sort of themes are passed at ‘PG’?
No theme is prohibited at ‘PG’, as long as it is treated in a manner appropriate to the category. ‘PG’ works can explore challenging issues such as domestic violence, bereavement or racism.
In a ‘PG’ work, illegal or antisocial behaviour, such as bullying, will not be condoned or seen to go unchallenged. Smoking and drinking will not be promoted or glamorised and if child characters are seen smoking or drinking, there should be a clear message that this is bad. If drugs are mentioned or seen, a ‘PG’ work should emphasise that they are harmful.
Will there be bad language in a ‘PG’ film?
There may be mild bad language (such as ‘shit’ or ‘son of a bitch’) in a ‘PG’ film, but the context and delivery are always important. For example, if the language is used aggressively or if there is too much bad language, a work may be passed at the next category.
What about sex?
References to sex are acceptable if the activity talked about or shown is implied and lacking in detail. In addition, if a child is unlikely to understand a reference, we may allow it at ‘PG’.
What about violence or horror at ‘PG’?
There should be no detail of violence in a ‘PG’ work, so while there might be some blood, we would not see how the injury was inflicted. Violence is generally more acceptable in a historical or fantasy setting, because of the distancing that this provides.
As far as horror goes, we allow some 'jump' moments and scary scenes, but sequences showing significant or realistic violence, horror or threat must not be prolonged.
What about behaviour children might copy?
Potentially dangerous behaviour which children might copy (such as a child climbing into a washing-machine or playing with electricity) is unlikely to be acceptable at ‘PG’, especially if it comes across as safe or fun. Realistic or easily accessible weapons, such as knives, will not be glamorised or focused upon in a ‘PG’ work.
Will there be any drugs in a ‘PG’?
There might be innocuous or passing references to illegal drugs or drugs misuse in a ‘PG’ work, although there should be no strong focus on this. In addition drug references may be permissible if there is a clear anti-drugs or educational message likely to be understood by children over eight.
The ‘U’ Category
Example-Mary Poppins, Toy Story
Will there be any bad language in a ‘U’ film?
At the ‘U’ category, we only allow very mild bad language (eg ‘damn’ and ‘hell’). Occasionally, bad language such as ‘bloody’ or ‘bugger’ may be included, where justified by the context.
Do ‘U’ works contain any sexual activity?
Characters may be seen kissing or cuddling and there may be references to sexual behaviour (ie to ‘making love’). However, there will be no overt focus on sexual behaviour, language or innuendo.
Is violence or horror permitted in a ‘U’ film?
A ‘U’ film may include brief fight scenes or moments where characters are placed in danger. However, moments of emotional stress or threat will be quickly resolved and the outcome will be reassuring.
There may be brief scary scenes and moments where the characters are placed in danger. As with violence, however, these scenes will be balanced by reassuring elements, such as comic interludes or music.
‘Baddie’ characters may carry or use weapons, but there will be no emphasis on these. Child or ‘hero’ characters are unlikely to use any kind of weapon. Potentially dangerous or imitable behaviour, particularly those which come across as safe or fun, will not be present.
What sorts of films are usually passed at ‘U’?
A ‘U’ film can explore most themes, as long as the treatment is appropriate to a young audience.
A children’s work at ‘U’ will generally contain positive messages about loyalty, honesty and friendship, particularly amongst children. The film or DVD will have a happy ending for the child and the overall tone should be one of reassurance.
‘U’ films are unlikely to contain discriminatory language or behaviour unless it is clearly disapproved of.
Will there be references to drugs?
At ‘U' there will not normally be references to illegal drugs or drugs misuse unless there is a very clear anti-drugs or educational message which will be understood by a younger audience.
Drugs references which are unlikely to register with young children and are brief or passing may occasionally be passed at ‘U’ – for example a verbal reference to ‘the Opium wars’ in an historical documentary.
Will there be any bad language in a ‘U’ film?
At the ‘U’ category, we only allow very mild bad language (eg ‘damn’ and ‘hell’). Occasionally, bad language such as ‘bloody’ or ‘bugger’ may be included, where justified by the context.
Do ‘U’ works contain any sexual activity?
Characters may be seen kissing or cuddling and there may be references to sexual behaviour (ie to ‘making love’). However, there will be no overt focus on sexual behaviour, language or innuendo.
Is violence or horror permitted in a ‘U’ film?
A ‘U’ film may include brief fight scenes or moments where characters are placed in danger. However, moments of emotional stress or threat will be quickly resolved and the outcome will be reassuring.
There may be brief scary scenes and moments where the characters are placed in danger. As with violence, however, these scenes will be balanced by reassuring elements, such as comic interludes or music.
‘Baddie’ characters may carry or use weapons, but there will be no emphasis on these. Child or ‘hero’ characters are unlikely to use any kind of weapon. Potentially dangerous or imitable behaviour, particularly those which come across as safe or fun, will not be present.
What sorts of films are usually passed at ‘U’?
A ‘U’ film can explore most themes, as long as the treatment is appropriate to a young audience.
A children’s work at ‘U’ will generally contain positive messages about loyalty, honesty and friendship, particularly amongst children. The film or DVD will have a happy ending for the child and the overall tone should be one of reassurance.
‘U’ films are unlikely to contain discriminatory language or behaviour unless it is clearly disapproved of.
Will there be references to drugs?
At ‘U' there will not normally be references to illegal drugs or drugs misuse unless there is a very clear anti-drugs or educational message which will be understood by a younger audience.
Drugs references which are unlikely to register with young children and are brief or passing may occasionally be passed at ‘U’ – for example a verbal reference to ‘the Opium wars’ in an historical documentary.
Age classifications
What does ‘U’ mean?
The ‘U’ symbol stands for ‘Universal’. A ‘U’ film should be suitable for audiences aged four years and over. However, it is impossible to predict what might upset a particular child, especially at this lower end of the category range.
What does ‘PG’ mean?
‘PG’ stands for Parental Guidance. This means a film is suitable for general viewing, but some scenes may be unsuitable for younger children. A ‘PG’ film should not disturb a child aged around eight or older. Parents should consider whether the content might upset younger or more sensitive children.
What does the ‘12A’ symbol mean? The A stands for 'accompanied' and 'advisory'. '12A' means that anyone aged 12 or over can go and see the film unaccompanied. Children younger than 12 may see the film if they are accompanied by an adult (eg someone over the age of 18), who must watch the film with them.
What does the ‘15’ symbol mean? No-one under 15 is allowed to see a ‘15’ film at the cinema or buy/rent a ‘15’ rated DVD or video game. Parents are warned that ‘15’ rated works are not suitable for children under 15 years of age.
What does the ‘18’ symbol mean? No-one under 18 is allowed to see an ‘18’ film at the cinema or buy/rent an ‘18’ rated DVD or video game. No ‘18’ rated works are suitable for children.
What does ‘U’ mean?
The ‘U’ symbol stands for ‘Universal’. A ‘U’ film should be suitable for audiences aged four years and over. However, it is impossible to predict what might upset a particular child, especially at this lower end of the category range.
What does ‘PG’ mean?
‘PG’ stands for Parental Guidance. This means a film is suitable for general viewing, but some scenes may be unsuitable for younger children. A ‘PG’ film should not disturb a child aged around eight or older. Parents should consider whether the content might upset younger or more sensitive children.
What does the ‘12A’ symbol mean? The A stands for 'accompanied' and 'advisory'. '12A' means that anyone aged 12 or over can go and see the film unaccompanied. Children younger than 12 may see the film if they are accompanied by an adult (eg someone over the age of 18), who must watch the film with them.
What does the ‘15’ symbol mean? No-one under 15 is allowed to see a ‘15’ film at the cinema or buy/rent a ‘15’ rated DVD or video game. Parents are warned that ‘15’ rated works are not suitable for children under 15 years of age.
What does the ‘18’ symbol mean? No-one under 18 is allowed to see an ‘18’ film at the cinema or buy/rent an ‘18’ rated DVD or video game. No ‘18’ rated works are suitable for children.
Audience research
Who actually goes to watch thrillers ?!
Its quite a wide audience as their are different types of thrillers which are aimed at different audiences Eg. a 12 - The Da vinci code , 15- Hostage , 18 - The decent
Practical Course Work
- During our preliminary coursework we learnt how to film, Work as a team , How to upload and edit, how to delicate jobs in the group with out arguments :P ,
- We have several transport links parents have agreed to drive us , we have buses , trains .... and HANNAH CAN ALMOST DRIVE !! so we can all meet up :D
x x x
Subscribe to:
Comments (Atom)